The story starts with a special-forces soldier encountering a hostile, ghostlike figure in the ruins of a Moldovan city.
How appetizing that sounds is an quick-and-easy test of your potential interest in actually watching Spectral yourself.įirst-time feature director Nic Mathieu aims for a gritty, realistic urban feel for Spectral, and once the action starts, he largely gets there, though without the immersive intensity of Black Hawk Down, or the emotional connections Aliens makes with its doomed combatants. Watching the former half of the movie, which sets up the story, feels like listening to someone explain the themes of the very same game. The latter half of the movie, when the action clicks and the stakes are raised, feels like watching someone play a shooter.
#Spectre movie guns series#
As with Gears of War, Spectral revolves around a series of travel and battle quests - get this technology to this location, find this missing soldier, get this piece of information, use it to activate the next step. It also feels like a lost segment from the Gears of War video-game franchise, with normal-sized men in place of the game franchise’s steroid-monster soldiers. Spectral, which Netflix picked up in November and rushed to its streaming platform on December 9th, is a mishmash of familiar film tropes, with bits and pieces from Black Hawk Down, Edge of Tomorrow, and especially Aliens. Star Trek Week 2018: Thoughts on Trek Movie Produc.But watching Spectral raises another likely scenario: Universal honchos may have just decided the film didn’t have the broad appeal to make it in the theatrical market.Star Trek Week 2018: Star Trek is Out of This World.Star Trek Week 2018: "The City on the Edge of Fore.Star Trek Week 2018: "All Our Yesterdays".Star Trek Week 2018: Star Trek and Identity.Star Trek Week 2018: Best Star Trek Opening Title.Star Trek 2018: Ranking the Star Trek Pilot Episodes.Star Trek Week 2018: "Balance of Terror".Star Trek Week 2018: Just One Star Trek Episode fo.Star Trek Week 2018: The Role Playing Game (FASA).Star Trek Week 2018: "Spectre of the Gun".The Future is Fantastic! (Breakaway Week).Breakaway 2018: "Matter of Life and Death".Breakaway 2018: "Another Time, Another Place".Breakaway 2018: "Mission of the Darians".The Cult-TV Faces of: Star Trek Parodies.Monumental Destruction #1: Mar Attacks (1996).Board Game of the Week: Terrahawks Flight Command.Video Game of the Week: Terrahawks (Philips).Action Figures of the Week: Terrahawks (Bandai).Monumental Destruction #2: Superman II (1981).:-) Having Spock do THREE melds is quite something, almost as good as the two-neck-pinches-at-once in "Whom Gods Destroy." -) Using Vulcan mind melds to get them out of trouble should feel like a cheap deus ex machina, but I love both Spock and telepathy so much that I'm happy for Spock to get them out of trouble with a Vulcan mind meld as often as the writers want to go there. I'm sorry they decided to change this, though of course Kirk's wanting to kill but preventing himself is good, too. If you read the James Blish novelization of this episode, you'll see that the script originally called for Spock's melds with each individual to reflect a high degree of understanding of - and compassion for - that person, which Kirk brings up to him at the end. the power of the gun," since the "guns" are products of the Melkotians' minds, but that does seem like a potential interpretation, and it's one I like.
I hadn't thought of this episode as "the power of the mind vs. I agree that the surreal set adds to the creepiness of this episode and is much better than a realistic set would be.
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